Figurations of Knowledge
5th Biannual European Conference of the
Society for Literature, Science, and the Arts (SLSA)
02 - 07 June, 2008
hosted by the
Center for Literary and Cultural Research Berlin (ZfL)
stream Art as Research supported by the
Bern University of the Arts(Update: 15 January 2009)
a) Introductionb) Program and Documentation of conference papersc) Conference reviewsa) IntroductionRecent and current research in Science Studies has devoted increasing attention to semantic transfers, translations, and changes of register between forms of knowledge. In terms of studying the relationship between
literature, science, and the arts, this implies a general reinterpretation of how scientific knowledge affects literature and the arts or how it is represented in them. For the 'and' linking established oppositional pairs such as 'art and science,' 'literature and science,' or else 'sciences and humanities' ultimately presumes a homogeneous situation on both respective sides. It is only under this precondition that the clear dichotomies between knowledge cultures can be formed which are so powerful within the system of modern science. Yet the arts—as well as the historical and hermeneutic disciplines—have always worked empirically, and the sciences have long dealt with questions calling for the interpretative capacity of the humanities or the creative potential of the arts: questions such as those about free will or consciousness.
The 2008 European Conference of the
Society for Literature, Science, and the Arts (SLSA) will therefore focus on such transitional phenomena with their historical, conceptual, and epistemological conditions. In contrast to the persistent tendency of science theory, science history, and science policies to fall back on the 'two cultures' model, we intend to examine how knowledge
figures both historically and presently within the plurality and heterogeneity of knowledge cultures, i.e. in different respective functional contexts. The perspective of
figurations of knowledge draws on the multiple meanings of the notions
figure and figuration—from the symbolism of mathematical, geometric, or diagrammatic figures to figurality and figuration in rhetoric and iconography up to figural interpretation as an interpretative tool—, in order to delineate the specific ways in which knowledge is produced, distributed, and received in the interplay of schematization and dynamization, of empiricism and speculation, of measurement and interpretation. Thus,
figurations of knowledge are understood to be instances of thought, speech, imagery, and experiment in which crossovers between literature, science, and the arts are essential.
b) Program and Documentation of conference papersProgram-Overview by subject with main abstracts and various conference papers
Download (Update: 15 January 2009)
Program-Timetable
Download (pdf-file, 372 KB)
Original Call for Papers of 24 October 2007
Download (pdf-file, 102 KB)
c) Conference reviews"Erderschütterung. Wissenschaftler und Künstler diskutieren in Berlin über 'Kunst als Forschung', um traditionelle Fächergrenzen zu überschreiten". (Bianca Schröder), in: die tageszeitung (6/6/2008)
Download (in German, pdf-file, 75 KB)
"Figurations Of Knowledge. Kulturelle Dimensionen der Naturwissenschaften". (Dana Sindermann), in: Radio WDR3 Resonanzen (4/6/2008, 19:15)
Download (in German, mp3-file, 2.9 MB)
"Der Ballhausschwur von St. Elisabeth. Figurations of Knowledge – Kunst und Wissenschaft". (Gerrit Gohlke), in: artnet - Die Welt der Kunst online (30/6/2008)
Download (in German, pdf-file, 183 KB)
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